Publications

Book

Thinking Through Place on the Early Modern English Stage (Oxford: Oxford University Press, 2020)

Edited Volume

“Disability and Racial Capitalism in the Early Modern Anglophone World” (co-edited with Penelope Geng), a special issue of the Journal for Early Modern Cultural Studies, 25.4 (forthcoming Spring 2026)

Articles

“New Worlds, Old Plots: Atlantic Conquest and the Revised Every Man in His Humor,” in Reprints and Revivals of Renaissance Drama, ed. Harry Newman and Eoin Price (Cambridge: Cambridge University Press, forthcoming 2026)

“Whiteness as Knowingness: Race and Intellectual Disability in Shakespeare’s Othello” (co-authored with Penelope Geng), in Shaping Intellectual Disabilities in Early Modern Literature and Culture, ed. Alice Equestri (Edinburgh: Edinburgh University Press, 2025), 263-285

“Shakespeare’s Sharp White Backgrounds” in Shakespeare/Space: Contemporary Readings in Spatiality, Culture and Drama, ed. Isabel Karremann (London: Bloomsbury/Arden Shakespeare Intersections, 2024)

“‘Whiteness as Property’ in As You Like It,” in “Shakespeare’s Other ‘Race Plays,’” ed. David Sterling Brown, Patricia Akhimie, and Arthur L. Little, Jr., special issue, Shakespeare Studies 50 (2022): 24-32

“Timur the Lame: Marlowe, Disability, and Form,” Modern Philology 119.3 (February 2022): 354-376.

“The Contemplative Cosmos: John Lyly’s Endymion and the Shape of Early Modern Space,” Studies in Philology 113.1 (Winter 2016): 55-81

“Embodied Thought and the Perception of Place in King Lear,” Studies in English Literature 1500-1900 55.2 (Spring 2015): 263-284

Reviews

Genevieve Love, Early Modern Theatre and the Figure of Disability (London: Bloomsbury, 2018), Shakespeare Quarterly 71.3-4 (Fall-Winter 2020): 258-260

Jonathan Walker, Site Unscene: The Offstage in English Renaissance Drama (Evanston: Northwestern University Press, 2017), Theatre Survey 60.2 (May 2019): 293-295

Susan Harlan, Memories of War in Early Modern England: Armor and Militant Nostalgia in Marlowe, Sidney, and Shakespeare (New York: Palgrave Macmillan, 2016), Early Modern Culture 13 (2018)

Embodied Cognition and Shakespeare’s Theatre: The Early Modern Body-Mind, ed. Laurie Johnson, John Sutton, and Evelyn Tribble (New York: Routledge, 2014) and Affective Performance and Cognitive Science: Body, Brain and Being, ed. Nicola Shaughnessy (New York: Bloomsbury, 2013), Theatre Survey 57.1 (January 2016): 132-135

Other Publications

“Marlowe at the Limits of the Human.” The Marlowe Society of America. July 13, 2018